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Back in the States, more single releases followed in 1981, including the 3 Hits from Hell 7" and another Halloween single, this one titled "Halloween" and containing two versions of the song, one a low-budget attempt at creating a spooky ambience. England's Cherry Red label issued the legendary Beware EP in 1980, which contained Bullet, two tracks from Horror Business, and the Static Age outtake "Last Caress" it became a ludicrously expensive collector's item in the years that followed. Arthur Googy became the full-time drummer, while Steele went on to form the Undead. Things had not been going well with Steele, either, and upon returning to the States, Steele was ousted in favor of Jerry Only's younger brother Doyle (born Paul Caiafa, popularly known as Doyle von Frankenstein). supporting the Damned followed, and a frustrated Joey Image quit the band after Danzig was arrested in a bar skirmish. This lineup recorded the three-song EPs Horror Business and Night of the Living Dead in 1979, the latter being released on Halloween. The Misfits began playing shows at CBGB's and attempted to obtain some greater musical stability with the addition of Whorelords guitarist Bobby Steele and drummer Joey Image. Although recording sessions had been held for a full-length album, to be titled Static Age, no record company would accept the results, and whatever material was not subsequently issued on EPs languished in the vaults until the 1985 compilation Legacy of Brutality. Jim" Catania, and guitarist Frank "Franche Coma" LiCata joined up for the four-song 1978 EP Bullet, which featured a notoriously graphic image of John F. Their name taken from Marilyn Monroe's final film, the Misfits added drummer Manny and recorded a guitar-less single, "Cough Cool" b/w "She," on their own Blank Records label (later changed to Plan 9). The Misfits were formed in Lodi, New Jersey, in 1977 by vocalist Glenn Danzig and bassist Jerry Caiafa, who performed under the name Jerry Only. The mid-'90s saw a spate of CD reissues that, while not quite presenting all of the Misfits' songs in the most concise, collectible format, at least succeeded in getting them all back into print, allowing those who missed the band the first time around to hear why they've enjoyed such enduring cult popularity. Name-drops and covers by metal bands like Metallica and Guns N' Roses kept the Misfits' songs circulating during the mid- to late '80s, when their tangled discography remained only sporadically in print - reissues were maddeningly incomplete, and much of the band's prime material was confined to rare singles and EPs. Rather, it was Danzig's penchant for catchy, anthemic melodies, often delivered at warp speed, and his lyrical obsession with grade-B horror films and splatter imagery that helped the Misfits build a rabid posthumous following. It certainly wasn't the Misfits' musicianship - which was as crude as the recording quality of most of their oeuvre - that endeared them to so many, although Glenn Danzig possessed one of the most distinctive and tuneful bellows in hardcore punk. Genuinely shocking or tasteless, campy fun? It was sometimes hard to tell which way the Misfits wanted to be taken, and the immense cult following that has grown up in the years after their actual existence (1977-1983) seems divided in its own assessment. Rather, it was Danzig's penchant for catchy, anthemic melodies, often delivered at warp speed.